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Chapter 8 Art

Terms

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Kouros
male youth that may have been a god or an athlete
realism
term used to describe the time in which vase figures became more lifelike and were placed in storytelling scenes
contraposto
the pose shows the wieght of the body balanced on one leg, while the other is free and relaxed
geometric
term used to describe the period which vases were decorated with bands of simple goemetric patterns
capital
tops of columns in Greek architecture
stylobate
the top step of the Greek platforms on the Greek temples and building
ionic order
columns had an elaborae base and a capital carved into double scrolls that looked like the horns of a ram.
skene
the backstage area of greek theater where actors could change their costumes and masks, but also servced to represent the location of the plays, which were usually set in front of a palace or a house
corinthian order
Columns with a capital that is elongated and decorated with leaves
doric order
simple, heavy columns without a base and topped by a broad, plain capital
Cornice
on top of hte frieze of the greek temples
acropolis
sacred hill raised 500 fee above the rest of the city and is crowned with several important buildings
audience
where the general public sat on benches built up on the side of a hill in the Greek theatres
chorus
a goup made up of 12-15 singing and dancing memebers that tried to stay in rhythm with each other so they could be viewed as one entity rather than separate entities during Greek theater
Kithara
a plucked string instrument that came to be linked with Apollo
karoi
Clothed women sculptures often goddesses
aulos
a loud, double reed instrument that came to be identified with Dionysus
orchestra
the large circular or rectangular area in the Greek theater where signing and dancing occurred
frieze
a decorative band running across the upper part of the Greek temples
amphitheater
Greek theater building

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