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chapter 4 (part 1)

Terms

undefined, object
copy deck
(JND) just noticeable difference
the smallest difference in stimulus intensity that a specific sense can detect
retina contains 2 types of receptors
1. rods (black and white) 2. cones (color and daylight vison)
fovea (visual acuity is greatest here)
tiny spot in the center of the retina that has only cones
light enters the eye through the
cornea (transparent window)
receptive fields
areas in the retina that affect the firing of visual cells
dark adaptation
the eye becomes more sensitive to light in low illumination
reversible figure
drawing that has 2 interpretations that can shift back and forth
subliminal perception
registration of sensory input without consciously knowing it
saturation
the relative amount of whiteness in a color (
optic disk (blind spot)
a hole in the retina where the optic nerve exits the eye
inattentional blindness
failure to see visible objects or events because attention is focused elsewhere (ape in the video)
top-down processing
a progression from the whole into it's elements
perceptual set
readiness to perceive stimulus in a particular way
visual agnosia
inability to recognize objects through site
k=1/10
for detecting certain tones
light adaptation
eyes become less sensitive to light in high illumination
absolute threshold
the minimum stimulus intensity that an organism can detect
sensory adaptation
gradual decline in sensitivity to prolonged stimulation (ex; garbage stinks, eventually the smell fades)
trichromatic theory of color vision
the human eye there are three classes of cone receptors subserving color vision (receptor level)
ventral stream
processes the details of the perception of form and color (what objects are out there)
feature analysisal input and assembling them into a more complex form
detecting specific elements in visual input and assembling them into a more complex form
afterimage
visual image that persists after a stimulus is removed
after visual input is processed in the primary auditory cortex, signals travel through 2 streams
1. ventral stream 2. dorsal stream
k=1/60
for detecting brightness of lights
complementary colors
are pairs of colors that produce gray tones when mixed together
3 types of color receptors
1. red 2. green 3. blue
perceptions of form involve
top-down processing
bottom-up processing
a progression from individual elements to the whole
webers law
applies to all the senses
lens
focuses stimuli on the retina
k=1/4
for detecting certain odors
feature detectors
neurons that respond selectively to specific features of more complex stimuli
optic chiasm
the point at which the optic nerves from the inside half of each eye cross over and then project to the opposite half of the brain
dorsal stream
perception of motion and depth (where the objects are)
retina
lines the inside back surface of the wall, processes images and sends info to the brain
perception
interpretation of sensory input into something meaningful (what our brain does)
opponent process theory of color vision
color perception depends on receptors that make antagonistic responses to 3 pairs of colors (red vs.green, yellow vs. blue, black vs. white) {neural level}
subjective contours
perception of contours where none actually exist (ex; disconnected triangle in text)
iris
colored part in eye that regulates the amount of light entering the eye (controls pupil size)
after reaching the optic chiasm, the optic nerve fibers branch off into 2 pathways
1. into the thalamus 2. superior colliculus
wavelength
hue
accommodation
when the lens adjust to alter visual focus
amplitude
height
amplitude
brightness
stimulus
any detectable input from the environment
optic nerve
collection of axons that connect the eye with the brain
sensation
the stimulation of sense organs (what our ears and eyes do)
purity
saturation
webers law states
the change in intensity divided by the original intensity equals a constant
2 main purposes of the eye
channels light to retina (neural tissues) and houses the retina
psychophysics
the study of how physical stimuli are translated into psychological experiences
3 dimensions of color
1. brightness (amplitude) 2. color/hue (wavelength) 3. saturation (purity)

Deck Info

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