This site is 100% ad supported. Please add an exception to adblock for this site.

PY101 CH.4

Terms

undefined, object
copy deck
the stimula- tion of sense organs
sensation
the selection, organization, and interpretation of sensory input.
perception
—the study of how physi- cal stimuli are translated into psychological ex- perience
psychophysics
the minimum stimulus intensity that an organism can detect
absolute threshold
the smallest difference in stimu- lus intensity that a specifi c sense can detect
just noticeable difference
proposes that the detection of stimuli involves decision processes as well as sensory processes, which are both infl uenced by a variety of factors besides stimulus intensity
signal detection theory
the registration of sensory input without conscious awareness
subliminal perception
a gradual decline in sensi- tivity to prolonged stimulation
sensory adaptation
the opening in the center of the iris that permits light to pass into the rear cham- ber of the eye.
pupil
pecialized visual receptors that play a key role in daylight vision and color vision
cones
a tiny spot in the center of the retina that contains only cones; visual acuity is greatest at this spot.
fovea
specialized visual receptors that play a key role in night vision and peripheral vision.
rods
the process in which the eyes become more sensitive to light in low illumination.
dark adaptation
the process whereby the eyes become less sensitive to light in high il- lumination.
light adaptation
when neural activity in a cell opposes activity in surrounding cells.
lateral antagonism
the point at which the optic nerves from the in- side half of each eye cross over and then project to the opposite half of the brain
optic chiasm
involves simultane- ously extracting different kinds of information from the same input
parallel processing
neurons that respond selectively to very specifi c features of more complex stimuli
feature detectors
works by removing some wavelengths of light, leaving less light than was originally there
subtractive color mixing
works by superimposing lights, putting more light in the mixture than exists in any one light by itself
additive color mixing
holds that the human eye has three types of receptors with differing sensitivities to different light wave- lengths
trichomatic theory
pairs of colors that pro- duce gray tones when mixed together.
complementary colors
a visual image that per- sists after a stimulus is removed
after image
holds that color perception depends on receptors that make antagonistic responses to three pairs of colors
opponent process of theory
which involves the failure to see visible objects or events because one’s attention is focused elsewhere
inattentional blindness
the pro- cess of detecting specifi c elements in visual input and assembling them into a more complex form
feature analysis
a progression from individual elements to the whole
bottom up processing
a progression from the whole to the elements
top down processing
the perception of contours where none actually exis
subjective contours
the illusion of move- ment created by presenting visual stimuli in rapid succession

phi phenomenon
stimuli that lie in the distance (that is, in the world outside the body
distal stimuli
stimulus energies that im- pinge directly on sensory receptors
proximal stimuli
an inference about which distal stimuli could be responsible for the proxi- mal stimuli sensed.
perceptual hypothesis
clues about distance based on the differ- ing views of the two eyes.
binocular depth cues
refers to the fact that objects within 25 feet project images to slightly different loca- tions on the right and left retinas, so the right and left eyes see slightly different views of the object
retinal disparity
involves sensing the eyes converging toward each other as they focus on closer objects.

convergence
cues are clues about distance based on the image in either eye alone
monocular depth
involves images of objects at different distances moving across the retina at different rate
motion parallax
clues about distance that can be given in a flat picture
pictorial depth cues
a tendency to experience a stable perception in the face of continually changing sensory input
perceptual constancy
objects that can be repre- sented in two-dimensional pictures but cannot exist in three-dimensional space
imposible figures
which runs the length of the spiraled cochlea, holds the auditory receptors
basilar membrane
holds that perception of pitch corresponds to the vibration of different portions, or places, along the basilar membrane
place theory
that perception of pitch corresponds to the rate, or frequency, at which the entire basilar membrane vibrates.

frequency theory
locating the source of a sound in space.
auditory localization
the sen- sory system for taste
gustatory system
holds that incoming pain sensations must pass through a “gate” in the spinal cord that can be closed, thus blocking ascending pain signals
gate control theory

Deck Info

47

furanko33

permalink