northern renaissance
Terms
undefined, object
copy deck
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The Merode Alter piece, 1420 - Merode Alterpiece, 1420. By Robert Campin. Excellent light and shade. cloth folds suggest gravity. the picture plane is tilted up so you get a birds eye view. flemish, oil paint. light and shadow usage, details suggest here and now. the homonculus enters through the window as the spirit of christ
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Robert Campin, The Salting Madonna - The Salting Madonna, Campin 1425. one point persepctive, all spatial indicating in represented space. all diagonals reconciled in single vanishing point. ultimate new weapon of naturalism. out the window--attention to detail, the here and now..
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anonymous florentine artist, around 1402. - 1402.
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deposition. Rogier Van Der Weyden -
Deposition. Rogier Van Der Weyden. 1435.
lies in mionds eye., rerference to color not christ not to suggest poor, but suggest that our enemy would see life of christ. -
Last Judgement Altar Piece -
last judgment altarpiece, rogier van der weyden. 1444-1448.
mystical spirituality that can only happen in your mind. gave the alter piecde to a hostpital in attempts for them to serve as means of salvation. naturalistic. -
the altar piece when closed. 1444-1448 - when closed.. here they have mastered light and shade so well that they can make a statue look like a statue.
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repsonse toa msytic, st brigit of sweden, symbolic opf christs' death, premonitions. angels fressed in dobes of priests officially the eucharist. conflation., floweres. tilted ground p - there is also a representative from teh medici bank-economy of salvation..
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back - back--amazing
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back - back--amazing
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Jan Van Eyck -
Rolin Madonna, 1435.
artist depicted as more privelaged. concept of genius to decorate hyis funerary chapel, as enternally praying. Orb represents control of the unvierse. -
poprtrait of giovanni arnolfini and his wife giovanna. 1434 -
took over rep of medici bank, lent money to duke of bergundy, lent money at interest. documebnti of union of two familties, with a potential witness. the mirropr is distorting reality while at teh same time it is ...
play of light and shade. aristocracy had mottos. the mirror-saying that there was somone else in the room, but he isn't depicted in it.. -
Jan Van Eyck -
self portrati 1432.
court painter. adopts an aristodrtatic mottow, endowed mission no longer an artisan and can call attention to miracle of produciton. No convention. as I can.