Film & Video Production Final, Quiz 6
Terms
undefined, object
copy deck
- an edit mode that transfers the control track of the source tape to the edit tape along with the image and sound during editing
- assemble edit
- an edit mode in which the control track is laid down on the edit tape first, and then audio and video information are laid down
- insert edit
- a graphical editing interface common in non-linear editing software, in which thumbnail representations of audio and video clips are shown
- timeline
- in nonlinear editing, the effect produced by one change in an edit, which automatically changes all the footage positions that follow
- ripple
- a device which synchronizes source videotape machines to the rest of the system
- TBC
- placing the final mixed audio on the master videotape
- layback
- a computer building a transition so it can play it back in real time
- rendering
- part of a videotape that contains the electronic timing impulses to keep the picture information stable
- control track
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TRUE OR FALSE
a CUTS-ONLY linear editing system cannot do a DISSOLVE - true
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MULTIPLE CHOICE
the main drawback of control track editing is (A. the pulses are not numbered on the tape, as in time code) (B. it requires a time base corrector) - A. the pulses are not numbered on the tape, as in time scored
- cuts-only linear video editing requires two videotape machines, one or two monitors, and (A. lots of RAM) (B. an edit controller)
- B. an edit controller
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TRUE OR FALSE
a new videotape has a control track on it - false
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MULTIPLE CHOICE
if you had a series of shots that you wanted to rapidly law down in succession without changing the audio or video, you would probably use (A. assemble editing) or (B. insert editing) - A. assemble editing
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TRUE OR FALSE
to do a fade-in with a linear editor, you need to run the source machine through a SWITCHER - true
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MULTIPLE CHOICE
the most stable control tracks are most likely made in (A. assemble editing) (B. insert editing) - B. insert editing
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TRUE OR FALSE
if you have music laid down on the edit tape and you wish to edit pictures to the music, you can do this in the ASSEMBLE edit mode - false
- the principle that places an imaginary line between two people talking
- axis of action
- an editing method designed to maintain a smooth flow of time and space from one shot to the next
- continuity editing
- editing built on the relationships of the material being edited, such as theme or symbolism, rather than its flow of time and space
- montage editing
- a distracting break in action caused by a mismatch in object position, screen direction, action, or setting
- jump cut
- a shot that shows someone responding or reacting to what someone else is saying
- reaction shot
- a shot that orients the audience to a change in location or time
- establishing shot
- a cut to a shot that isolates some element in the previous shot
- cut-in
- a process that attempts to mask edits and make them unobtrusive
- hidden editing
- a cut that provides a continuous sense of time and space between two shots
- match cut
- a shot that shows a scene as a particular character in the movie would see it
- point-of-view shots
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TRUE OR FALSE
shooting OVERLAPPING ACTION is one way to help the editor maintain continuity - true
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CHOOSE ONE
a transition that suggests the passage of time is the <dissolve/cut> - dissolve
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CHOOSE ONE
TIME COMPRESSION is a common form of <montage/continuity> editing - montage
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CHOOSE ONE
a more final conclusion to a scene is indicated by a <fade out/cut> - fade out
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CHOOSE ONE
cutting back and forth from one location to another or one storyline to another, usually to show that two actions are occurring simultaneously is called <montage/parallel> editing - parallel
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TRUE OR FALSE
one technique for making two shots flow together more smoothly is CUTTING-ON-ACTION - true