Italian Painters
Terms
undefined, object
copy deck
- Tinoretto
- dramatic value contrasts, emotional intensity, master of dark tones, figures have dramatic gestures
- Leonardo Da Vinci
- fond of evening light, need to capture the soul, triangle compositions, formally balanced, no highlights
- Leonardo Da Vinci
- Maddona of the Rocks
- Titian
- Assumption of the Virgin
- Masaccio
- linear perspective, chiaroscuro, fabric falls realistically
- Botticelli
- calligraphic line, linear style and shallow modeling, painting in tempera
- Tintoretto
- St. Mark Rescuing the Slave
- Giotto
- illusion of space, naturalistic, flat blue area as background
- Leonardo Da Vinci
- The Last Supper
- Mantegna
- roman passion, illusion of texture, worm's eye/bird's eye perspective, di sutto en su
- Raphael
- School of Athens
- Michelangelo
- expressive figures, sculptural feelings, hellenistic bodies
- Titian
- The Pesaro Madonna
- Tintoretto
- Finding the Body of St. Mark
- Botticelli
- The Birth of Venus
- Titian
- know for color, organized rich color masses, harmony in color, emotionalism, master white red and black
- Raphael
- harmony in color, pyramid composition, expressive energy (michelangelo), ability to capture soul(leonardo)
- Michelangelo
- Sistine Chapel
- Masaccio
- Trinity
- Last Supper characteristics
- cut into thirds, contrast emphasis, focal point (jesus), linear perspective, formally balanced, implied horizontal lines
- Sistine Chapel characteristics
- male nudes separated panels to create movement, high key values, illusion of space, color balance, formally balanced, implied horizontal lines
- Tintoretto
- Last Supper (late)
- Giotto
- The Lamentation