Art Final
Terms
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- Claus Sluter
- German sculptor is considered a "Pioneer of Northern Realism;" Wall of Moses
- Counter Reformation
- Reflected Baroque art; inward exploration rather than outward; Rembrandt;
- Matthias Grunewald
- German artist was a Protestant whose art differed vastly from his Italian Catholic counterparts
- A.B. 5
- Tow or more small froms can balance a large one
- Value
- The tern used to refer to relative lightness and darkness is ___
- Photojournalists
- Photographers who record events for newspapers
- Romanticism
- Promoted imagination, intuition, emotion, individual experience; mysterious landscapes, scenes of exotic cultures, extreme-often violent- human events, sensuality of subjects, dynamic diagonal rhythm, brilliant color
- Monochromatic
- Color harmony - variations of the same hue or the same color with differences in value and intensity
- Geometric and organic
- What are two main categories of shapes
- Two Point Perspective
- Two points on a single horizon lie for the parallel lines of an object to recede to
- Humanism
- Renaissance belief that humankind was not worthless in the eyes of God
- Illustration
- An image created to accompany words
- Impressionism
- 7
- Less visually interesting
- In subordination parts of a composition are made intentionally __
- Jan van Eyck
- One of key figures of the Northern Renaissance credited with the first use of oil paints
- Analytical Skills
- A talent for exploring problems, taking them apart, and seeing how things work
- One Point Perspective
- Parallel lines recede in distance seems to converge at a vanishing point
- Typography
- Arrangement and appearance of letters
- Proportion
- Refers to size relationship between parts of a whole or between items perceived as a unit
- False
- Genre paintings focus on military exploits of absolute monarchs
- Charcoal
- Material that remains after wood is burned
- A.B. 4
- A complex form is visually heavier than a simple form of the same size
- Sensitivity
- Heightened awareness of what one sees, hears, and touches, as well as responsiveness to other people and their feelings
- Courbet
- was a French painter who led the Realist movement in 19th-century French painting; started and dominated it; The Stone Breakers
- The object we distinguish
- In the figure ground relationship as discussed in chapter four the figure is defined as
- Sfumato
- Italian word for smoke; use of layers of translucent glazes applied to a painting to produce a hazy atmosphere, etc.
- Productivity
- The ability to generate ideas easily and frequently, and to follow through on those ideas
- Aesthetics
- Branch of philosophy concerned with feelings around as by sensory experiences
- Forging
- The art of the blacksmith
- Manet
- 13
- Shape on 2D, Mass is a 3D form
- What is the difference between shape and mass
- Screenprint
- Technique in which ink is pressed through fabric
- Neoclassicism
- New classicism; a reference to classical models, sharp colors, chiaroscuro, clarity of form, directness of subject; reaction against Rococo period
- Renaissance man
- Individual such as Leo da Vinci, masters multiple disciplines
- Ceramics
- The art of making objects with clay
- True
- The Gothic style originated at the Abbey church of Saint-Denis
- Encaustic
- Painting technique involving hot wax
- Asymmetrical Balance
- Happens when to forms of two sides of the composition don't correspond to each other in size, placement and shape but the composition is still balanced
- Hue
- The name that differentiates one color from another
- A.B. 6
- A small dark form can balance a larger light form
- Graphite
- Marking material of a common pencil
- Flexibility
- An ability to adapt to new situations and to see their possibilities; willingness to find innovative relationships
- Composition
- The organization of elements in such a way as to satisfy the artist's expressive intent
- Intensity
- The relative purity of a color
- True
- In its early years, artists particularly valued camera obscura as an aid to painting and drawing
- Isometric Perspective
- Depth is implied by using diagonals to imply receding, lines remain parallel
- Rococo
- Art style in first part of 18th century; grace and harmony, light and airy feeling, light pastel colors, deception of leisure and fancy; asymmetrical structure, natural curvilinear forms; shielded its autocratic audience from real-world problems, based on idea that nature posses inherent quality
- Complimentary color harmony
- Color harmony - involves colors directly opposite of each other on the color wheel
- Light and dark
- Chiaroscuro is Italian for ___
- Analogous
- Color harmony - a combination of colors that are adjacent to each other on the color wheel
- Perception
- Seeing is a mode of ___, which is the recognition of sensory data
- Focal Point
- Emphasis on a relatively small, clearly defined area
- Repetition
- Rhythm is based in ____
- Scale
- Size in relationship to a standard or normal size
- False
- All artwork has a focal point
- Primary Colors
- red, yellow, blue
- An enormous building boom
- Romanesque period is characterized by ____
- Boundries
- Contour lines are drawn to record the ___ of a three dimensional form.
- Simultaneous contrast
- If you place two complimentary colors together, both of them will seem more brilliant
- Delacroix
- Most important of the French Romantic painters; profoundly shaped the work of the Impressionists; Death of Sardanapalus
- Conceptual
- Unity of ideas
- Matthew Barney
- Artist of Cremaster movies
- Animal Style
- The Medieval artifacts found near London in a grave of an unknown East Anglican king
- Hierarchical Scale
- A work of art which bases scale on the relative importance of the people depicted
- Intaglio
- Etching and engraving are examples of what kind of printmaking
- The background of backdrop
- The ground is defined as
- Mannerism
- Sofonisba Anguissola was a female artist during what period?
- Lithography
- Print pulled from a slab of limestone
- Carolingian
- The style of art in France that was inspired by the Holy Roman Emperor Charlemagne
- True
- Directional lines, contrast, placement, and isolation are all devices that create emphasis
- Visual weight
- The apparent lightness of heaviness of forms arranged in a composition
- Layout
- Term used for a designer's blueprint for an extended work in print
- Fluency
- A readiness to allow the free flow of ideas
- A.B. 2
- A dark form is visually heavier than a light value form
- Variety
- Described as difference that provides interest
- Jacob van Ruisdael
- 10
- Carving
- A subtractive process in sculpture
- Oil
- Slow-drying paint made when pigments are mixed with oil
- Playfulness
- A sense of humor and ability to experiment freely
- Fresco
- Painting into wet lime plaster with pure pigment and water
- Caravaggio
- Major influence of painting in Europe; The Martyrdom of Saint
- Realism
- 6
- Symmetrical Balance
- Occurs when forms on either side of a composition correspond to each other
- A.B. 3
- A textured form is visually heavier than a smooth form of the same size
- Michaelangelo and fresco
- Sistine Chapel
- Optical color mixture
- Pointillism is an example of _____
- Post Impressionism
- 8
- Brunellechi
- Artist and architect is creator of linear perspective
- Baroque
- Exaggerated emotionalism, manipulation of light and dark, dynamic sense of movement that extends beyond artwork, heightened sense of realism; elegance to display, restraint of emotion, deception of the glories of monarchy
- Visual
- Unity based in the elements
- A.B. 1
- A large form is visually heavier than small form
- Giotto
- Associated with the earlies use of atmospheric technique
- Originality
- Uncommon responses to situations and to solving problems
- Fresco 2
- Most of Giotto's work was done in ___
- Casting
- When liquid is poured into a shaped container to become firm
- Atmospheric Perspective
- Things in distance appear to have less contrast than things in foreground
- Acrylic
- Synthetic painting medium, developed after chemists created a strong, waterproof, industrial paints, has challenged supremacy of oil painting
- Organizational Skills
- Ability to put things back together in a coherent order