Ah 250 Exam1
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- The Bronze David - Donatello
- 1430-40, Polished bronze, Florence (First nude scupture)
- The Hospital of the Innocents
- 1419, considered to be the first renaissance building
- The Arena Chapel
- 1305, Giotto, Fresco, inside the chapel on the walls and ceiling
- Allegories of Good and Bad Govenemnt
- Lorenzetti - Palazzo Pubblico, Siena, 1338-39, secular, Fresco
- Jan van Eyck - The Arnolfini Portrait
- 1434, Oil on wood
- Giotto di Bondone (1267-1337)
- The artist responsible for new developments in painting during renaissance.
- Mona Lisa - Da Vinci
- 1503-05, oil on wood, Louvre, Paris
- Donato Bramante - The Tempietto
- 1502-03, San Pietro in Montorio, Rome - Marks the place peter was crucified
- Cimabue's Madonna Enthroned,
- 1280-90, Tempera on wood, Bysantine, Galleria degli Uffizi, Florence
- Stigmatization of Saint Francis
- 1317, Giotto, Bardi Chapel (exterior) Santa Croce, Florence. Fresco
- Well of Moses-Claus Sluter
- 1395, Dijon, France, painted stone
- Humanism
- An intellectual movement that focused on human potential and achievements.
- Pieta - Michelangelo
- 1498-1500, marble; 5'.81/2 high St. Peter's Church, the Vatican
- Peiro della Francesca, Anunciation
- 1450, Fresco. Used 1 point perspective, color and geometry
- Masaccio
- most powerful and innovative of his generation because of nudes
- Fra Angelico- Anunciation
- 1440, Fresco
- The Kiss of Judas Comparison (Duccio's Panal)
- Panal, More densely packed with figure's than the mosaic, an illusion of greater depth, 3D shading,lots of emotion and movement,
- Self Portrait 1-Durer
- 1498, oil on panal, 20.5x16", Museo del Prado, Madrid, 3 quarter view and distant landscape similar to the Mona lisa's. Da Vinci influenced
- Andrea Palladio - Villa Rotunda
- 1567-69, Vicenza, Italy
- Sistine Chapel Ceiling - Michelangelo
- 1508-12, Fresco; 5800 square feet, The vatican
- Jacopo Pontormo - Entombment
- Manneristic, Capponi Chapel, Santa Felicita, Florence, 1525-28
- Vitruvian Man
- Leonardo da Vinci, 1485-1490, pen and ink
- Michelangelo Bounarroti
- Florentine sculptor and painter and architect; one of the outstanding figures of the Renaissance. The Pieta, Creation of Man, David, Sistine Chapel Ceiling
- Filippo Brunelleschi
- The Dome of Florence Cathedral, 1410-1436 and the Hospital of the Innocents (Foundling Hospital), 1419
- Raphael
- school of Athens & Sistine Madonna
- Giotto
- influenced by Pisano's sculptures, Roman architectural ruins, and the discoveries of Classical texts
- Chartreuse de Champmol-Claus Sluter
- 1385-93, Portal, Sculpture, Dijon, France
- Titian - Assumption of the Virgin
- 1516-18, oil on panel
- The Maesta (majesty)
- Duccio di Buoninsegna, 1311, Tempera and gold on panels, Byzantine style, Sienna, altar piece
- Classical texts
- the works of ancient philosophers and scientists
- Limbourg Brothers
- Netherland artists who specialized in Books of the Hours, prayer books.
- Last Supper - da Vinci
- Santa Maria delle Grazie, Milan, 1495-98, Fresco, 15'x29'
- The Kiss of Judas Comparison (Giotto)
- Humanist revival, fresco, no landscape, faces turned away from viewer, judas actually kisses jesus,more violence, right to left movement
- The Kiss of Judas Comparison (Mosaic)
- The figures face the viewer, as with Ducio the Jesus faced front and no connection with the kiss, outlined in black, two dimensional, Jesus is larger with jeweled crown, little emotion or depth,
- Alberti
- wrote 10 books of architecture, used the old classical style as inspiration, rediscovered ancient style
- The Nativity, Nicola Pisano (pre-ren)
- 1260, Marble relief, Baptistery in Pisa, description- straight noses, imagery of classic art
- The Age of Humanism
- a philosophical view that emphasized the importance of human values and achievement
- 14th C Italy
- Florence, Italy considered the "birthplace" of the Renaissance
- Jacopo (Robusti) Tintoretto - Last Supper
- 1592-94, oil on canvas; Manneristic, uses light dramatically,
- Mannerism
- an artistic movement of the late Renaissance which freely abstracted and modified the visual conventions of the Renaissance. Introduction of asymmetry, twisted and contorted forms and figures, stylized forms, unnatural poses, odd scale and space, dramatic lighting and jarring colors. Complexity
- Architecture and Writings of Leon Battista Alberti
- Palazzo Rucellai, Florence, 1446-50 and The church of Sant' Andrea, Mantua, 1470-93
- The Annunciation, Martini
- 1333, Tempera and gold leaf on panel, Gothic Style, in the Uffizi, Florence
- Giotto's Madonna Enthroned (altar piece)
- 1310, Tempera on wood, Byzantine (with Gothic arches, perspective and some realism), Galleria degli Uffizi, Florence
- Madonna Enthroned comparison (Cimabue)
- Cimabue's throne rises in irrational, unknown space (no floor), long thin elegant figures, lines of Gold,Jesus has small head and thin form, lacks dimension
- Robert Campin - Merode Altarpiece
- 1480, Tempera and oil on wood
- Madonna Enthroned comparison (Giotto)
- Giotto's throne is on a horizontal support approached by steps, figures are bulky and more human-like, Jesus is chubby and more naturally seated with a hand raised in blessing. Unlike, cimabue's the faces are turned towards the focal point, and finally a truer sense of perspective
- Nicola Pisano
- Sculptor, Marble pulpit for the Baptistery in Pisa, 1260
- 7 Deadly Sins and the last 4 things, Bosch
- Painted table cloth, 1475-1515, Museo del Prado, Madrid
- The Expulsion from Eden - Masaccio
- 1420's, The Brancacci Chapel Fresco Cycle
- Anunciation and January (Tres Riches Heures du Duc de Berry)
- Limbourg Brothers, 1413-16, Illumination, Musee Conde, Chantilly, France
- Landscape with the Fall of Icarau, Pieter Bruegel
- 1554-55, Oil on panel, 2'.5"x3'.8", Musees Royaux des Beaux-Arts de Belgique, Brussels, "Don't fly too close to the sun"
- Tomb of Leonardo Bruni
- Marble, 1444, Croce Florence
- Renaissance man
- Leonardo da Vinci, well rounded man, the ideal individual of the Renaissance Age.
- Saint Louis Altarpiece
- 1317, Tempera on panel, Gothic Style, in the Galleria Nazionale, Naples
- The holy Trinity - Masaccio
- 1425, Fresco, renaissance, using balance of color, perspective, 3D
- El Greco - Burial of the Count of Orgas
- 1586-88, oil on canvas
- Self Portrait 2 - Durer
- 1500, oil on panel, Alte Pinakothek, Munich, full frontal view, reminiscent of Byzantine religious figures, against a black background placing himself in a more iconic fashion, hand on the cloak like jesus and the printed monogram
- Sandro Botticelli - Birth of Venus
- 1480, Tempera on Canvas
- David - Michelangelo
- 1501-1504, Marble; 14' high, Galleria dell'Accademia, Florence