Arc History 2
Terms
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- Juan Bautista Villapando's works
- Reconstruction of the Temple of Solomon (SPAIN)
- Philbert De L'orme's works
- Chateau of Anet, Trompe (squinch) - garden room (FRANCE)
- Indigo Jones
- English pioneer for decent architecture
- Villapando
- Divine model, reconstruct temple of Solomon based of Ezekiel's vision of heavenly Jerusalem
- Philbert De L'orme
- French Order, column and tree trunk represent good and bad architects
- Benedetto Bordon
- Woodcut illustrations of Hyperotomachia Poliphili
- Friar Francesco Colonna
- Dream - Hyperotomachia Poliphilid
- Alberti's works
- San Francesco, Santa Maria Novella, San Sebastiano, Rucellai Palace (reconstruction)
- Brunelleschi's works
- Hospital of innocent, Tower of St. Maria Del Fiore, Pazzi Chapel, St. Maria Delgi Angeli
- Neo-Platonism
- Man approaches infinite perfection which is God
- Friar Luca Pacioli
- Book on divine proportion, geometry a ladder for spiritualization of matter, "squaring the circle"
- Donato Bramante's works
- San Pietro, Montorio
- Francesco Di Giorgio
- "Theater of machine"
- Filippo Brunelleschi
- Liked rounded arches
- Leon Battista Alberti
- Book - On the Art of Building in Ten Books
- Asam brothers
- St. Vohn Nepomuk (Asamskirche)
- Fischer Von Erlach's works
- Schonbrunn Palace, Karlskircher Church
- Johan Bernhard Fischer Von Erlach
- History book - Entwurff, synthetically forming something new, comprehensive history
- Borromini's works
- St. Carlo Aue Fontane, St. Mary Oratory of the Filipini, St. Ivo Della Sapienza
- Bernini's works
- Palazzo Barbarini, Andrea Al Quirinate, Colonnade of St. Peter's, Scala Regia
- Baroque Synthesis
- Folds in soul
- Francesco Borromini
- Spaces flow, undulation of walls
- Giovani Lorenzo Bernini
- Drapery and shadows, "anything beautiful not found in nature should be produced"
- Leibniz-monadology
- Universe seen from the viewpoints of the infinite monads
- Linear perspective
- Significant in Reniassance and Baroque
- Jesuit perspective
- God's eye as a vantage point of absulute truth, 'quadratura'
- Michelangelo's resistance to perspective
- Expressing depth by movement of a figure
- Alberti's theory of perspective
- A window frame (picture frame)
- Perspectiva Artificiales
- Reniassance Linear Perspective, "measured" reality
- Perspectiva Naturalis
- Ellid's cone of vision, divine light
- Niccolo Tribolo's works
- Villa Medici at Castello
- Michelozzo Michelozzi's works
- Villa Medici at Fiesole, Academy of neo-platonism
- Vignola's works
- The Gesu, Rome
- Michelangelo's works
- Fresco of Sistine Chapel, Medici of Chapel of San Lorenzo, Vestibule of Laurentian Library, Fortifications in Rome, Capitoline in Rome
- Jesuit Order
- St. Ignatius's spiritual exercises, meta-physical visualization
- Michelangelo
- Giant order, building elements as muscles, poems and love
- Andrea Palladio's works
- Basilica in Vicenza, Plazzo Valmarana, Villa Capra, Teatro Olimpico
- Vicenzo Scarmozzi's works
- Villa Bardellini (shadow tracer)
- Guilio Camillo
- Memory theater
- Andrea Palladio
- Four books on architecture: 1 - relate whole and parts, 2 - beautiful should be exposed, 4 - Pantheon curves and unity
- Indigo Jones's works
- Queen's house, banqueting house (ENGLAND)
- Juan De Hererra's works
- Design of Escorial in Madrid, palace/monastery/college/sanctuary (SPAIN)
- Father Guarino Guarini
- Writing, "woven dome" of light and stone, luminous and diaphanous, light is an accident, matter is a conserver of light
- Guarini's works
- San Lorenzo, S.S. Sindone
- Jesuit architectural approach to divinity
- Cross-cultural experiments
- Claude Perrault
- Book - Ordonnance, French translation of Vitruvius, proportion lost, microcosm and marcocosm, theory of "positive" and "arbitrary" beauties
- Christopher Wren
- Influence from Italian Renniassance books, Influence of French theoretial writings, two beauties: "natural, customary"
- Academy of Architecture, France
- Beginning of architecture education, seperation of design and construction
- Claude Perrault's works
- Colonnade of Louvre
- Christopher Wren's works
- St. Paul, London - English Baroque: mixutre of Reniassance and Medieval