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COMM2320 Exam 3

Terms

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Film Editing Machines(3)
Editing Bench, Moviola, and Flatbed Editor
(Film Processing)
Conforming
Answer print, and composite print
(Film Processing)
Making the workprint
Fades, Dissolved, Superimpositions
(Film Processing)
Edge numbers
Consecutive reference numbers printed on the edge of film
(Film Processing)
Splicing A & B Rolls
The original film conformed to the workprint
(Film Processing)
Combining A & B Rolls
Answer print
(Digital Video-Recording)
Composite
Single signal
(Digital Video-Recording)
Component
Separate signals
Videotape formats
D1-D9, DVCPRo, DVCAM,DV and Mini DV
Film
Uses light energy to transform the chemical properties of light sensitive substances
Neg/Positive Process
Two step
reversal process
one step
EI
Exposure Index
ASA
American Standards Association
DIN
German Standard
FPS
24 Frames per second
Synchronize sound
slate or clapboard
single system
Audio recorded on the film being shot
double system
Audio is recorded on a separate device (tape, chip, hardrive)
editing
The selecting, combining, and trimming of sounds and visual images
Realism
Follows basic patterns of scene construction
modernism
disrupts spatial and temporal continuity
combines diverse images and sounds
Post modernism
Made up
Fiction
recreated
nonfiction
Editing styles
Mastershot, continuity, A/B Roll
EDL
Editing Decision list
Videotape Nonlinear editing
Timecode, In and out points, assemble, insert, edit controller, and machine to machine
Digital Nonlinear Editing
Timecode, capture, ingest,compression
Film editing is:
Workprint, outtakes/trims, synchronizing, rough cut, tape splicing, head leaders
Watching the illusion of reality
Realist design
More abstract ignoring spatial perspective, artificial, stylized sets
Modernist design
leaves the visual perception to the imagination
postmodernism design
relationship between color on a two dimensional color wheel
color harmony
color arranged in a circle from cool(blue) to warm (red)
color wheel
help separate objects in a scene and perceive spatial depth
color contrast
color has emotional effects on the viewer
emotional responses
Principles of Design
Line, shape, texture, movement
(Perspective)
Focal center
items arranged to draw attention to the center, the most important
Proximity
Grouping
Graphic Design
digitally or physically created
CG
Computer Graphics
Camera Cards
Physically created
Bitmap
PICT, BMP, TIFF, JPEG, GIF
Vector
Lines and Curves
(Type/font)
Points
type height
(Type/font)
Pica
Column width
(Type/font)
Leading
Space between lines
(Type/font)
kerning
Space between letters
(Type/font)
Dots Per inch(DPI)
Resolution
creates imaginative worlds that defy all physical laws
animation
Allow futuristic or historical worlds to come to life dangerous actions and events can be simulated and live action characters can accomplish super human features.
Special Effects
Transitions
wipes, dissolves
superimpositions
keys, mattes, compositing the layering of various visuals
Live or action modeled(3D)
Models and Miniatures
Wind, smoke, rain, snow, fire, explosions, gunshots
Physical effects
Economic Convergence
Corporations merge
technological convergence
digital equipment, internet, computers
internship
volunteer
job search
research
networking
its not what you know its who you know
interlaced
NTSC, even to odd lines 2 times or fields
progressive
ATSC, frames, rates, analog recorders
helical
slant track recording, sound synchronization
samples the visual images converting light energy to binary code
Digital Video
removes redundent or repeated portions of the picture
signal compression
3 parts of the video signal
video signal, synchronization signal, control track pulse or timecode track
continuous varying magnetic copy of the original soundwaves
analog audio
IPS
Inches per second
samples the sound waves and gives these samples numerical values of binary code
digital audio
transforms and transmits visual images by converting light energy to electrical energy
analog video

Deck Info

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