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80's technical

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Jim Blinn
  • created voyager 2 space probe for NASA
vol Libre 
  • Loren Carpenter
  • computer-animated flight over a completely synthetic landscape
Pixar
  • Loren became Chief Scientist
  • Tin Toy won an Academy Award for best animated short in 1989
Turner Whitted
  • senior researcher in Microsoft Research's hardware devices and graphics groups
  • Bio-Sensor
    • Osaka University and Toyo Links
    • technical demonstration of the development of met
    Stanley and Stella; Breaking the Ice
    • by Symbolics Graphics andWhitney Demo Productions
    • illustrates one of the first us
    The "TEAPOT"
    • Rendering algorithm developed by Martin Newell at the University of Utah
    • test texture mapping algo
    Brilliance
    • Abel and Associates
    • In-house software,raytracing, texture mapping, refractions, r
    Locomotion
    • by PDI
    • First example of squash and stretch in 3D.
    Don't Touch Me
    • Kleiser/Walczak
    • One of the first pieces to use motion capture
    The Little Death
    • by Matt Elson of Symbolics
    • a visual poem created for HDTV that uses behavioral an
    Growth Series
    • Algorithmic Art
    • Yoichiro Kawaguchi
    • Mutations
      • William Latham
      • interest in Darwinian theory
      • John Whitney
        • Arabesque
        • linked musical composition with experimental film and computer imaging
        •  
        The Last Starfighter
        • Digital Productions
        • first film to employ computer-generated spaceships with over 30 minutes of CGI
        • almost caused the demise of the budding CGI industry
        • starships looked like cartoons - too new and shiny <
        Young Sherlock Holmes
        • ILM
        • first film to feature a computer-generated character
        • first to use a laser recorder instead of CRT output. Laser-disks looked like big shiny old LP records. Very expensive
        Genesis Effect for Star Trek II
        • Lucasfilm
        • computations by Loren Carpenter (Vol Libre (fractals flight simulation))
        • first commercial application for ILM
        • First on-screen use of particle rendering to achieve the fiery effects
        Who Framed Roger Rabbit
        • directed by Robert Zemeckis
        • Last hurrah's of optical effects
        • revolutionary in the world of compositing and an interesting case study of contract negotiations to
        The Abyss
        • James Cameron, ILM
        • utilizations of the developing computer "morph" technique, which seamlessly blends or meld one image into another
        • first 3d morph
        • First movie to require photo-realistic imagery
        Willow
        • directed by Ron Howard, Effects, ILM
        • first film to use 2D digital morphing and it helped spark the industry's interested in digital filmmaking. Each of the shots in the morphing sequence were shot separately using pupp
        Money for Nothing by Dire Straits
        • First music video to use 3D animation. A line from this song "I want my MTV", set the stage for a an advertising campaign that would last for years
        Andre and Wally B
        • Lucasfilms  and  John Lasseter
        • piece demos motion blur and is the first recognized CG character animation

        Your Face - Bill Plympton
        • first animator to draw every frame for an animated feature film entirely by himself

        1970's - 1980's

        basic rendering techniques are developed microcomputertechnology is introduced
        standard microcomputer configuration - 8 bit CPU, nographic co-processors,

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